![]() ![]() And they keep moving forward with a recently added ability to conform 2K on the eQ system. They also have a white paper available ( pdf link) that outlines their workflow. The company has been working on their RED workflow support and now has IMHO one of the best options. Quantel recently released a version of their software that supports the native. ![]() If you are staying in a 1080 world for broadcast or DVD delivery then this is a great solution. Finding the right one can be challenge.įor my money it’s hard to beat a workflow like we are using at FilmWorkers Nashville with our Quantel eQ. There really are more choices out there than many of us though we would ever see. Now, some year and a half later, RED post is maybe only a morass with a dizzying number of options with terms like debayering, Monkey Extract, native RED QuickTimes … just a few of the terms that might pop up in a RED post discussion. Crimson Workflow popped up and helped with that but it still wasn’t easy. Yep, there was REDAlert and RedCine from day one but if you wanted to perform an offline edit and then conform that edit to the raw. There where a lot of options for posting early RED footage as long as you wanted to use Final Cut Pro and/or Assimilate Scratch. It seems like only a year ago that doing post-production on the RED ONE camera was a confusing imbroglio of what to do and what tools to use to do it.
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